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Revista online de música alternativa y cultura independiente. Publicamos noticias breves, entrevistas, reseñas, artículos, lanzamientos y contenidos originales sobre artistas de todos los géneros musicales. Nos enfocamos en propuestas emergentes y autogestionadas. La Revista Soundloop es un espacio para descubrir nuevos artistas, sonidos, ideas y escenas diversas que escapan a lo convencional y amplían el panorama musical actual.

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Interview with Clarelynn Rose: Guitar Meditations to Return to the Heart

agosto 11, 2025

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Interview with Ferdinand Rennie: “This song deserves to be heard all over the world”

agosto 11, 2025

Entrevistas Pop

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Interview with The armchair captains: Between nature and sonic experimentation

agosto 07, 2025

Entrevistas Jazz Rock

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An Interview with Nordstahl: The Revolution of AI-Generated Industrial Metal

agosto 04, 2025

Entrevistas Metal

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Interview with Ratfink!

agosto 01, 2025

Entrevistas Pop Rock

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An interview with TRALALAS: A new chapter in the european Dark-Pop scene

From Denmark, TRALALAS —the solo project of Morten Alsinger, also known for his work with VERTICAL— arrives with a brand-new track, “Winter on the Vine.” In this exclusive interview with Soundloop, the artist shares how TRALALAS came to life, what led him to temporarily step away from electronic music, what it was like working with artists like Heidi Lindahl and Thomas Li, and what we can expect from the debut album set to be released in October. How did TRALALAS come to life, and what motivated this new beginning after your time with VERTICAL? TRALALAS have been my solo project for a while, also while working with VERTICAL. I’ve always – or for at least the last 10 years – worked and composed more classic alternative/indie tracks. I like the electronica and dub scene, but after some time I just felt that the TRALALAS idea stood out stronger. It left me with more directions in music, so I changed focus. I still work with soundscapes and ambient thou with my former VERTICAL friend, He...

An Interview with Bastien Pons: Listening with the Eyes, Seeing with the Ears

Bastien Pons explores sound the same way he captures images: in black and white, through layers, textures, and contrasts. A photographer and composer trained in musique concrète under the guidance of Bernard Fort, he constructs a sensorial world where noise becomes substance and silence, a space to inhabit. His experimental work —influenced by artists such as The Residents, Coil, Lustmord, Meredith Monk, Swans, and Esplendor Geométrico, among many others— blends field recordings, noise, and industrial soundscapes to sculpt introspective atmospheres. His debut album, Blinded, is both a sonic and visual experience: a journey through perception, blindness (in both its literal and symbolic dimensions), and the tactile nature of sound. Each piece is built around texture —organic noise, digital distortion, harmonic shadows— to shape an immersive, almost physical listening experience. In this interview, Bastien Pons invites us into his creative process, where photography and music are not...

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