REVISTA SOUNDLOOP | Música Alternativa e Independiente

Nos dedicamos a descubrir, comprender y contar la música desde una mirada basada en la escucha atenta, el análisis y el respeto por la obra artística. La música merece ser descubierta. Cada lanzamiento es una oportunidad para descubrir una historia. Descubrir y comprender la música también es una forma de construir cultura.

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Asfixia Social: Derribando muros con música – Una entrevista exclusiva

Asfixia Social es una de las bandas más poderosas de la escena independiente de Brasil. Fundada en 2007, ha hecho de la fusión de estilos y del fuerte compromiso social su sello distintivo, obteniendo reconocimientos culturales, participando en festivales de cultura urbana y presentándose en radios y programas de televisión tanto en Brasil como en el extranjero. Con una combinación de rap, rock, actitud callejera y letras contundentes, Asfixia Social ha colaborado también con artistas emblemáticos como BNegão, de Planet Hemp, y Gaspar, de Z’África Brasil, incorporando a su música las vivencias y realidades de las periferias de São Paulo. Ahora, tras una intensa gira por Europa, el grupo presenta su canción nueva, Walls Won’t Make You Safe . U na obra que refleja su madurez artística y su mirada crítica sobre el mundo moderno. Hoy tenemos el privilegio de conversar con los integrantes de esta banda que derriba muros con su música, mientras se preparan para emprender una nueva gi...

Interview with Adai Song: Reimagining the past is a way to reclaim the female voice

Adai Song —also known by her electronic alter ego ADÀI— is a singer, producer, DJ, and songwriter who fuses the sounds of traditional Chinese music with the energy of EDM, building a bridge between East and West. Her new album, The Bloom Project , currently under Grammy consideration in the Best Global Music Album category, offers a feminist reinterpretation of shidaiqu —the 1920s Shanghai genre that blended Western jazz with Chinese melodies during the city’s golden age. With this work, Adai revisits a century of musical history, rewriting it through a modern, empowered, and deeply personal lens. We spoke with her about the creative process behind the album, her artistic evolution, and how living between cultures can become an endless source of inspiration. What drew you to that golden era of Chinese music as a starting point for The Bloom Project ? Your songs revisit classical female figures. How do they resonate with the modern woman? I’ve always been fascinated by that g...

An interview with TRALALAS: A new chapter in the european Dark-Pop scene

From Denmark, TRALALAS —the solo project of Morten Alsinger, also known for his work with VERTICAL— arrives with a brand-new track, “Winter on the Vine.” In this exclusive interview with Soundloop, the artist shares how TRALALAS came to life, what led him to temporarily step away from electronic music, what it was like working with artists like Heidi Lindahl and Thomas Li, and what we can expect from the debut album set to be released in October. How did TRALALAS come to life, and what motivated this new beginning after your time with VERTICAL? TRALALAS have been my solo project for a while, also while working with VERTICAL. I’ve always – or for at least the last 10 years – worked and composed more classic alternative/indie tracks. I like the electronica and dub scene, but after some time I just felt that the TRALALAS idea stood out stronger. It left me with more directions in music, so I changed focus. I still work with soundscapes and ambient thou with my former VERTICAL friend, He...

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